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Papers SGEM2018

All papers published in this subsection are part of SGEM2018 Conference Proceedings (ISSN 2367-5659).The SGEM2018 Conference Proceedings is indexed by Clarivate Analytics, ISI Web of Science (former Thomson Reuters, ISI Web of Knowledge), EBSCOHost, ProQuest and is in the process of evaluation and indexation by SCOPUS, ELSEVIER. Every paper is registered in CrossRef database and has its own DOI (Digital Object Identifier). Papers could be also found via Mendeley, CiteULike and Google Scholar.

Articles in this section


CHARLES I: THE THEATRICAL FAREWELL (Papers SGEM2018)

D. Khaustova
Friday 9 November 2018 by Libadmin2018
ABSTRACT Charles I was the king of England, Scotland and Ireland, whose conflicts with the parliament provoked a civil war (1642–1651) and led to the execution of the king in 1649. Following his father, James I, who was fond of the architecture, theatre and music, Charles became the patron of (...)


CONCEPTUAL PREVISIONARY STYLES OF THE MUSICAL INTERPRETATIVE PHENOMENON OF THE CLASSICAL GUITAR (Papers SGEM2018)

G. C. Voicescu
Friday 9 November 2018 by Libadmin2018
ABSTRACT Through the implementation of the stylistic and conceptual plan, the guitarist is able to establish on an experimental basis the phenomenological issues which will then be solved gradually since the preliminary phase of reading at first sight. The simplification of the double (...)


ELEMENTS OF HERMENEUTICAL ANALYSIS IN THE MUSICAL REPRESENTATIONS OF DAVID’S PSALMS COMPOSED BY FRANZ LISZT (Papers SGEM2018)

A. Belibou, C. Petruta
Friday 9 November 2018 by Libadmin2018
ABSTRACT In our paper we will talk about the diversity of religious expressions through the writings of psalms in Franz Liszt’s creation, that appears to us as a micro-cosmos of the romantic period, with an expressiveness that underlines the finest differences between possible human feelings in (...)


FIRST EXPERIENCES OF CREATING MUSICAL SPACECLES IN THE TATARIAN THEATER IN THE CREATION OF SULTAN GABYASHI (Papers SGEM2018)

N. K. Nurgayanova, A. R. Salikhova, D. R. Fardiyeva, E. M. Galimova
Friday 9 November 2018 by Libadmin2018
ABSTRACT One of the first Tatar composers who stood at the origins of the national musical theater is Sultan Gabyashi (1891–1942). Active creative activity of the composer occurred in the 20-30s of the XX century, when the process of formation of professional musical art and education was in (...)


INTERPRETATIVE AND COMPOSITION ARCHETIPAL RESONANCE OF THE CONTEMPORARY CREATIONS FOR THE SOLO CLARINET (Papers SGEM2018)

D. Albu, D. Paicu
Friday 9 November 2018 by Libadmin2018
ABSTRACT This paper comes to present and highlight the works of three Romanian composers, who are or were professors at the Arts University "George Enescu" University, institution with 156 years of existence. It is about Sonante by Vasile Spatarelu, Invocations by Viorel Munteanu and (...)


INTERPRETATIVE CONSIDERATIONS IN THE CONCERT NO.1 FOR CLARINET AND ORCHESTRA COMPOSED BY CARL STAMITZ (Papers SGEM2018)

D. Albu, D. Paicu
Friday 9 November 2018 by Libadmin2018
ABSTRACT In this study we propose to decode and to highlight the most important stylistic and interpretative landmarks of the Mannheim School, with emphasis on Concerto no. 1 for clarinet and orchestra, composed by Carl Stamitz. Carl Stamitz is considered the first composer which composed an (...)


KEYS TO THE MASTERPIECE. A RETROSPECTIVE ON GEORGE ENESCU’S SECOND ORCHESTRAL SUITE OP. 20 (Papers SGEM2018)

M. Rusu, G. Dutica
Friday 9 November 2018 by Libadmin2018
ABSTRACT Background: In the artistic context of 20th century, George Enescu is the only representative Romanian composer who will be included in the diverse landscape of the 1900-1940’s, and he will be integrated into the neoclassic direction. He was considered to be “one of the most interesting (...)


MIMICRY AND MEANING IN STAGINGS OF HENRIK IBSEN’S PLAYS IN LATVIAN THEATRES IN THE SEASON OF 2017-2018 (Papers SGEM2018)

M. Burima
Friday 9 November 2018 by Libadmin2018
ABSTRACT The season of 2017/2018 in Latvia was especially rich in stagings of plays by Norwegian playwright Henrik Ibsen (1828 – 1906). Ibsen’s plays were staged both in theatres and opera, in the capital city of Riga and other towns in Latvia. On the whole in the season of 2017/2018 Latvian (...)


THEME ELABORATION TECHNIQUES IN 20TH-CENTURY FUGUE (Papers SGEM2018)

G. Vlahopol
Friday 9 November 2018 by Libadmin2018
ABSTRACT The subject is the key element, the basis of the structure of the fugue form due to its melodic, rhythmic, harmonic and polyphonic features. Even from the Baroque period, the development and the final entry were the sections with the most innovative constructive aspects due to a (...)


MODERN RECEPTION OF THE MUSICIAN FRANCIS POULENC (Papers SGEM2018)

L. V. Iatesen
Friday 9 November 2018 by Libadmin2018
ABSTRACT What Francis Poulenc means for today’s listener? Successful musician of the 20th century, having a huge success with the public, the French artist, who was brought up and created in a fascinating musical and cultural environment, and whose sources of inspiration, creative directions, (...)


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